Showing posts with label culture properties.. Show all posts
Showing posts with label culture properties.. Show all posts

Wednesday, May 23, 2012

Up Coming Thongdrel of Longchenpa in Shingkhar

༈ གངས་རི་ཐོད་དཀར་རིན་ཆེན་སྙིང་པོའི་མགོན། །
ཡོན་ཏན་ཀུན་བྱུང་དགའ་བའི་སྐྱེད་ཚལ་དུ། །
སྙིགས་མའི་དོན་གཟིགས་སྦས་པའི་རྣལ་འབྱོར་པ། །
ཀློང་ཆེན་རབ་འབྱམས་ཞབས་ལ་གསོལ་བ་འདེབས།།

I have picked up this picture from the facebook page of Shingkharpas. I am deeply moved by the initiatives taken by my brother who is a Bhutanese astrologer in Pangrizampa. I hope to see him succeed in his endeavor. I hope the blessings of Longchenpa will continue to bring the peace and wellbeing in Shingkhar (in particular) and Bhutan and  the World (in general)

My brother, Soman Rinchen, Bhutnese Astrologer
I would like to convey my sincerest and deepest Tashi Delek to Sonam. I would also like my readers everywhere in the world to join me in wishing him a  great success. 


Monday, July 11, 2011

Some of the least frequented Sites of Bhutan, The Legacy of a Legendary Blacksmith.

Lhakhang's entry point 

This is how a Lhakhang looks like from Bondey Town

So called the Drupthop Chakzampa, (also known as the Thang Tong Gyelpo) is known more as the legendary blacksmith. His  (recorded) achievements are mostly confined to the construction of iron bridges across the country. Of many such bridges, the prominent ones are today visible in monumental bridges like Tamchok and Kurichhu.

One thing that we knew least (or never knew at all) was the architectural genius Drupthop possessed. Even though the architectural masterpiece like Dungtse Lhakhang in Paro  and Tamchok Goenpa, on the way to Thimphu are his creation, Drupthop to date has been accorded least in his architectural achievements.

Today one such monument is located in the middle if Bondey village. Crowded by cars and newly constructed buildings, it is hardly visible. Its a Lhakhang in itself with all the relics and nangtens but people mistake it for stupa.

A closer association with the locals reveals that it is one such Lhakhang which Drupthop built in one day. Only a handful people Including our Royal Grand Mother, Ashi Kezang, today know that it is very sacred monument. The Lhakhang has a life size statue of Drupthop which is believed to be a wish fulfilling statue. Infertile couples now frequent the lhakhang to seek fertility blessings. Besides, other couples also visit Lhakhang so that they can have a child with a sex of their choice.

 "For many people, such wishes have come true" says and old lady who spends her day circumbulating the Lhakhang. She also says "more people should visit this Lhakhang not only to seek fertility blessing, but also to pray for the world peace"

Sunday, July 10, 2011

Some of the least the frequented sites of Bhutan, The Legend of Pelri Lhakhang.


On a hill  and cliff overlooking Bondey valley in Paro, (which resembles the head of snake) a small temple was believed to have been built by famous Drukpa Lama called Yongzin Ngagi Wangchuk. The place was named Pelri. Roughly meaning harmonious and divine hill. Of the two such hills in Paro Valley, (one in Shaba side) the lama chose to built Lhakhang only on the hill where the Lhakhang stands today. (as Pelri Lhakhang of Bondey)
It is widely believed that the temple was initially built to subdue the demon which roamed the valley in form of snake. The demon not only brought multiple sufferings to the locality but was also believed to have been a man eating ghost.

Later, the Gelug sect of Lam Khag Nga (five different Buddhist sects who were widely acknowledged as the sects who revolted against the Drukpa sect) established their seat. It was believed that they built a nine storied mighty towering castle, where the present Lhakhang stands.  

It was also during that time, the other Buddhist sect called Drukpa Kagyu spread across the land. The spread of Drukpa sect spear headed by Zhabdrung instilled some sense of insecurity in them. As a result, they planned a revolt, of which Zhabdrung knew in advance.

Before the revolt, the chief of the Gelug sect called his versatile artist to paint his version of the Gelug sect and the Drukpa sect. In a very customary-subordinate manner, to please his boss, the painter painted a picture of his boss in a very colorful traditional chipdrel ceremony, riding a horse. And in similar manner to show his support to his boss and more to insult Zhabdrung, He painted a picture of Zhabdrung, sitting under a tree, in a meditation posture with all the torn cloths.

The painter submitted his work to his boss, which devastated him. In other words, his painting came as a prophecy for his boss to leave the place immediately. The sitting posture of Zhabdrung came as another prophecy that his legacy was there to flourish permanently.

Coincidently, Zhabdrung was meditating in very close vicinity. The simple meditation was strong enough to bring down the castle. With just ground floor remaining intact, the main relic in the temple; -a statue, requested Zhabdrung to at least spare the ground floor for him.

That is why today, we can only see a one storied Lhakhang in Pelri. 

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