Shingkhar has been a place of mystery for eons. It still continues to be. Shingkhar is a place known not only for innocent yet intriguing people, but is also known for its rituals and relics it has in abundance.
Of many such relics, the the mask dance of Lhamo and Gyembo are the towering show piece by any measure. Perchance, they are the specialty of the region whose sacredness awes many mortals. By locals' definition, the history of these dance are as old and as untraceable as the history of the universe itself.
However, sources, tend to suggest that, those mask dances were initially composed and initiated by second Shingkhar Lama, known as Lama Jabodma. Lama Jabodma was the son of first Shingkhar Lam, Tsezang Thaye Drakpa, who in turn was the great gand son of great Nyingmapa master Longchen Rabjam.
The current mask of Lhamo and Gyembo are believed to have been curved by Lama Jabodma himself. It was believed that Lama Jabodma and many other magical powers.
According to locals', Lama had the supernatural power with which he toured India and Tibet in a single day. Perhaps, that's why he was named Lama Ja (meaning India) Bod (meaning Tibet)
Literally, Lhamo is a female Goddess and Gyembo is a Male God. Lhamo is in white clad, Gyembo in dark blue. They are considered as the Choesungs (the guardian deities, who protect Buddha, Dharma and Sangya) of the region. In Bhutan there are many such Lhamos and Gyembos. Accordingly, Lhamo in Shingkhar is Durthrod Lhamo (?) and Gyembo, Gyembo Maning.
Shingkhar Rabney is the only occasion to see these dances.